I confess: I went to La finta Giardiniera at the Beckett Theatre for Mozart’s music. It was a students’ show, yes, but you can’t have everything. Little I knew I was in for a treat.

The production presented promising students from RIAM, and was made in collaboration with IADT students for hair and make up, while the creative team was a professional one.

La finta giardiniera makes for an instantly captivating listening, like a succession of pop songs from the eighteenth century. The score contains in nuce Mozart’s genius, while the libretto is full to the brim with facetious rhymes.

I disagree with William Mann’s dismissive opinion of the libretto (“feeble, stereotyped and […] incompetent”) as a distinction needs to be made between the plot and the verses. On the thin canvas of the ludicrous plot, the libretto manages to paint all the painful shades of unreciprocated love: jealousy, desire, madness, although in a formally comic guise. What’s more, the Italian verses of the libretto are moulded with exceeding metrical skill.

Veteran director Ben Barnes did a dazzling job in adapting this work. Both the directorial choices and the movement director’s (Libby Seward) ones were spotless, bringing out and magnifying the surreal nature of divertissement of this opera. On the other hand, the English of the surtitles could have been more literally faithful to the original.

Conductor Andrew Synnott drew out of the students’ orchestra a very enjoyable rendition of the score, particularly energetic in the aria of playfully metatheatrical flavour “Dentro il mio petto io sento”, sung with confidence by Vladimir Sima.

Clodagh Kinsella was a perfect Sandrina, with great stage presence, good acting and an interesting colour to her voice. James McCreanor displayed a sweet Mozart tenor voice. Eimear McCarthy Luddy was a very good Ramira, in an untangling of the trousers role’s ambiguity where the original “Ramiro” becomes the gay suitor of Arminda. Dylan Rooney (Nardo) boasted a deep baritone voice.  

Both Corina Ignat (Arminda) and Ecaterina Tulgara (Serpetta) demonstrated striking acting  and astounding vocal control, with the second one leaving a particularly strong impression in my mind.

*Picture: Vladimir Sima, James McCreanor, Corina Ignat, Ecaterina Tulgara and Dylan Rooney in RIAM’s “La finta giardiniera”. Photo by Colm Hogan.

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