Extract of my review published on Bachtrack on 23/10/17.
Franco Alfano’s name is inextricably linked to that of Puccini, as he’s mostly remembered for completing the unfinished score of Turandot, and has overshadowed his own operas. Composed in 1903, Risurrezione was first performed in November 1904, nine months after the première of Madama Butterfly. The subject is taken from the last of Tolstoy’s novels by the same title (“Resurrection”) and is loosely adapted in the libretto, which skims most of the moral tribulations of the protagonist Prince Dimitri to focus on the more classic, personal drama of the seduced-and-abandoned ingénue. So far so Madama Butterfly. Continue reading on Backtrack.